Orla Barry   Suky Best   Cleo Broda   Clare Bryan   Michael Buchanan   Lisa Cheung   David Cotterrell   Phil Coy   ascal-Michel Dubois   Peter Dukes   Oona Grimes   Stephen Healy   Sophie Horton   Tom Humphreys   Sophie Lascelles   Lynne Marsh   Lisa Z. Morgan   Mr & Mrs Ivan Morison   Paulette Phillips   Kate Scrivener   Finlay Taylor   Adam Thompson   Shane Waltener and Sarah Woodfine

Museum of Garden History, London

11 July - 31 August 2003


Press release





Garden Pieces Film Programme - Thursday 17 July, 2003

A collection of artists' and archival films inspired by gardens and horticulture. The programme included some of the earliest films to be made showing the growth of plants with time-lapse photography and an instructional horticultural film from the 1940s. Titles by artists demonstrated the diversity of responses to such a captivating pursuit. Running time approximately 95 mins.

Curated by Peter Todd. With thanks to artists, the BFI, Lux and Arts Council England.


Guy Sherwin Flight 1988
Images courtesy of Lux


Birth of a Flower (Percy Smith, UK, 1910) 6 mins
'Percy Smith (1880 - 1944) was world famous as a photographer of plant life. Probably the first British example of time-lapse photography as applied to the growth of plants' Monthly Film Bulletin, November, 1955.

All My Life (Bruce Baillie, USA, 1966) 3 mins
'One shot, early summer in Mendocino. Song, All My Life by Ella Fitzgerald with Teddy Wilson and his orchestra' B.Baillie. LFMC (Lux) catalogue.

Flight (Guy Sherwin, UK, 1988) 4 mins
'Flight is a four minute work made from a tiny fragment of film of pigeons, semi-silhouetted in trees, shot with a long lens. The imagery has been slowed-down and sometimes stopped, using an optical printer to re-work the original' Nicky Hamlyn. Coil Magazine, October, 2000.

Elegy (Anthea Kennedy & Ian Wiblin, UK, 2001) 3 mins
A new self-made work made with Garden Pieces in mind. A film for a dead cat.

Eaux d'Artifice (Kenneth Anger, USA, 1954) 13 mins
'Filmed in [gardens of the Villa d'Este] Tivoli, Italy, and accompanied by the music of Vivaldi, Camilla Salvatore plays hide and seek in a baroque night-time labyrinth of staircases, fountains, gargoyles and balustrades. The camera zooms into and away from the mask-like faces, water spirits carved in stone, as the figure in eighteenth-century costume scurries through the maze.' BFI Avant-garde catalogue.

How to Dig ( Jack Ellitt, UK, 1941) 14 mins
Made in co-operation with the Royal Horticultural Society and sponsored by the Ministry of Information and Ministry of Agriculture and Fisheries. ' Instructional. Different methods of digging over ground before sowing' National Film Archive catalogue.

For You (Peter Todd, UK, 2000) 3 mins
A self-made film with Garden Pieces in mind. Inter-titles and images of a suburban garden as a record of a relationship.

Garden Pieces (Margaret Tait, UK, 1998) 12 mins
'Looking at these [garden] pieces again tonight, see the beachcomber artist, the searching, experimental spirit, so quintessentially Margaret, and a poignant sense of her own mortality: camera circles round a summer garden, lush with life, seeking shadows within the light, pausing momentarily as it passes over an empty chair.' Gerda Stevenson. 17 May, 1999. The Orcadian.

Mothlight (Stan Brakhage, USA, 1963) 4 mins
'Brakhage made Mothlight without a camera. He just pasted mothwings and flowers on a clear strip of film and ran it through the printing machine.' Jonas Mekas. LFMC (Lux) catalogue.

Alice in Wonderland (Percy Stow & amp;Cecil Hepworth, UK, 1903) Approx 10 mins
It starts and ends in a garden in between. 'Alice dreams she sees the White Rabbit and follows him down the Rabbit-hole, into the Hall of Many Doors'. Film Inter-title.

Ma Space/Time in the Garden of Ryoan-Ji (Takahiko Limura, Japan, 1989) 16 mins
'A Japanese concept of time/space is realised through the Zen garden of Ryona-Ji. With text by Arata Isozaki and music by Takehisa Kosugi.' LFMC (Lux) catalogue.

The Kiss (John Smith & Ian Bourn, UK, 1999) 5 mins
'A depiction of the forced development of a hothouse flower.' Lux catalogue.


Stan Brakhage Mothlight 1963


Exhumed Film Programme - Friday 18 July, 2003

This selection of artists' work focused on themes in Exhumed - memory, reminiscence, 'a sense of place', mortality and the changing world around us. Running time approximately 70 minutes.

Curated by William Rallison. With thanks to artists, the Lux, BBC Worldwide library services and Arts Council England.

Lambeth Marsh (Clio Barnard, UK, 2000) 12 mins
William Blake, poet, visionary and famous Lambeth Resident is recalled through the stories of local people and lines from his poem 'London'. Clio Barnard introduced and discussed her film prior to the screening.

Taxonomy (Death Stories) (Franko B & Tim Etchells, UK, 2002) 6 mins
Franko B's collaborative work with Tim Etchell's presents a 'pick n mix' catalogue of death choices - ranging from the peacefully domestic to heroically brave. We are left pondering our own demise.

After Image (Susan MacWilliam, UK, 2002) 4 mins 30 secs
An examination of a theory from the late nineteenth century that the final image seen before death is retained on the retina. Hopes were raised that such images would provide conclusive evidence in homicide cases.

Nocturne (Emily Richardson, UK, 2002) 5 mins
Filmed around London during the night and early hours of morning, Nocturne reveals a cityscape that few experience. The empty streets and unfamiliar shadows seem to connect us to a former time and place that links past generations of urban life to the present.

The End of the World (Don't You Just Know It?) (Ian Bourn, UK, 1982) 8 mins
A summer's day - playing a computer game, drinking tea in the garden: simple activities to be enjoyed cherished and remembered. Ian Bourn and Helen Chadwick stage a mini-drama that appears very familiar. But what lurks beyond the next garden fence?

The Bag of a Thousand Pockets (Anthea Kennedy, UK, 2002) 8'
'My bag has a thousand pockets. In each one is a memory.' Memories are recalled by the artist's father as he prepares for an outing. A bag prompts and frustrates recollections of his former life in Germany as a young man.

Infanta (Rosemary Lee & Peter Anderson, UK, 2000) 5 mins
A child dances in a beautiful old garden with high clipped hedges. As she moves through it her actions and energy seem to release a hidden spirit. 'A sense of place' is evoked as the child becomes the garden's muse - her presence is somehow required.

The Phantom Museum (Quay Brothers, UK, 2003) 6 mins
The Quay Brother's response to the extraordinary museum collection of Sir Henry Wellcome. This vast array of items, associated mainly with medical research, is the inspiration for an animated film that serves as a kind of inventory of the museum's holdings.

MM (William Raban, UK, 2002) 13 mins
The furore surrounding the infamous Millennium Dome now seems like a distant memory. MM is a survey of an area in south east London that came under intense public scrutiny, and whilst imbued with high expectations, ultimately disappointed. Its legacy, an unmistakable London landmark.


John Smith & Ian Bourn The Kiss 1999





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